Jess Loseby on “cyber-domestic” aesthetics.
Joseph Tabbi reviews the essay collection Simulacrum America.
Stephanie Strickland on the translation of poetry from print to screen.
Linda Brigham reads How We Became Posthuman the way Katherine Hayles reads novels: as a story that resists both linearity and the analytical ardor of attempts at humanist ordering.
Luc Herman reviews the collection, Cyberspace Textuality by Marie-Laure Ryan, and warns against the creation of a false dichotomy between the digital and traditional print text.
Joseph Tabbi identifies a shift in U.S. criticism that has taken place in the eight years separating Susan Strehle’s Fiction in the Quantum Universe and John Johnston’s Information Multiplicity.