Andrew Walser introduces a gathering of essays on and by the novelist Joseph McElroy.
Gregg Biglieri reads "into" Actress in the House and revels in Joseph McElroy's syntax.
"The plot offers not so much progress as recurrence, duplication, and reiteration." Flore Chevaillier offers one way to fill in the gaps of Joseph McElroy "Canoe Repair."
Salvatore Proietti straddles science and fiction to offer an interpretation of a McElroy Cyborg.
Diane Goodman on the anthology that helped put the term "postfeminism" into circulation.
Cris Mazza sends in her introduction to the follow-up volume of Chick-Lit, No Victims.
Ronald Sukenick on Extreme Fiction.
hypertext? cybertext? hypermedia? webart? while new media critics debate the terms, Talan Memmott has produced the thing itself, a creative use of applied technology.
Chris Messenger achieves a rare convergence of elite and popular cultural criticism by doing for The Godfather (and its spinoffs) what previous critics have done for Uncle Tom's Cabin.
Sukenick responds to Fleisher's feminist critique of "Narralogues" in the voice of his own fictional jeune-fille, Jane.