In his review of Lee Rozelle's Ecosublime, Andrew McMurry offers a contrasting understanding of the sublime as a term describing our
closure to nature, not our openness.
Andrew McMurry introduces Katherine Acheson's review of Radiant
Textuality, declaring that Acheson's illuminated critique exemplifies what's missing in McGann: the use of design not just to illustrate prose but also to extend a textual engagement.
