on the ghost in the machine: the font as spiritual medium in CD-ROM poetry design
Katherine Acheson's free-standing hypertext demonstrates how design
can reinforce what's said, offer a counterpoint, and, occasionally,
convey a critique of the critic.
Ted Pelton writes an in-depth account not just of the &Now Conference at Lake Forest College but of the state of experimental writers and small press publishing.
Tim Luke takes on the business of online learning.
Phillippe Bootz gives an account of the longest standing web-based literary journal in France.
Translation by James Stevens