Tag: poetics

Against Information: Reading (in) the Electronic Waste Land


Andrew Klobucar argues that a new iPad app for The Waste Land demonstrates, despite the developer’s intentions and Eliot’s fears, that the symbolic form of the database is irrepressible.  According to Klobucar, Eliot bemoans the cultural impact of new media and technological innovation, though his poem–particularly through Pound’s editorial notes and Eliot’s added annotations–employs the structure of a database. The app for The Waste Land attempts to mitigate this tension by promoting a single legitimate version of the poem, though the app’s structure ultimately works against that model, as it frees readers from the imposed authority of singular narrative.

John Cayley responds in turn


John Cayley replays what is literal and literary in the digital.

Introduction: ceci n'est pas un texte


Lori Emerson introduces a gathering of nineteen electro-poetic essays. This gathering brings together both
critics and creators of electronic poetry; as is usually the case in ebr, the ‘electronic’ does not exclude, but helps us to reconfigure and revalue poetic works in print as well as define what works in digital

The Code is not the Text (unless it is the Text)


An argument against the collapse of categories by an author who has, yes, himself perpetrated a few codeworks.

Johanna Drucker's response (excerpt)


Johanna Drucker counters hands-off poetics with practice.

The Comedy of Scholarship


Katherine Weiss revisits Hugh Kenner’s playful work of scholarship Flaubert, Joyce, and Beckett: The Stoic Comedians, a book which offers a glance into the more experimental scholarship of 1960s France and provides an analysis that to this day seems original.

The Linguistic Cartography of Toilets and Ginger Ale


For Angela Szczepaniak, Canadian poet Stephen Cain visually distorts language by blurring the borders of poetic language and national identity, which are often assumed to be much more clear and distinct than they actually are.

Biopoetics; or, a Pilot Plan for a Concrete Poetry


Eugene Thacker resituates the work of Eduardo Kac, not as art applied to the life sciences, but as a form of bio-poetics, consistent with the electro-poetics that has been a longtime focus of critical writing in ebr. Rather than reduce the work to its material (in life-forms, or in text, or in code), Thacker identifies ways that language, form, and life intersect in works of bio-art.

Finding Holes in the Whole


Jacob Edmond reviews Brian McHale’s The Obligation toward the Difficult Whole.

Verse in Reverse


On the occasion of the 2003 Fitzpatrick O’Dinn Award publication, Alan Sondheim asks some questions of formally constrained literature. The more strict the constraints, the more open, free, and plentiful the questions.