John Matthias reflects on Humphrey Carpenter’s biography of 1992, in light of earlier work by Auden and recent findings.
On the present and future of hypertext poetics (circa 1997).
Oulipo poetics and the art of translation.
A generous selection, with commentary and biographical background, for those coming newly to Matthias’s work.
Raymond Federman compiles a small manual of poetic pleasures.
Ted Pelton views Robert Creeley’s image/text collaborations in Buffalo, NY.
David Zauhar reads Marjorie Perloff the way she reads poetry and philosophy: as ways of doing, rather than saying