Steffen Hantke reviews the reviewers of Don DeLillo's Body Artist, dispelling the notion that, after Underworld, the shorter book is necessarily a slighter one.
Walton Muyumba reviews Randall Kenan's massive meditation on race and introduces a new word into the discourse on African American literature: zugenruhe.
Linda Brigham reads How We Became Posthuman the way Katherine Hayles reads novels: as a story that resists both linearity and the analytical ardor of attempts at humanist ordering.
Timothy Melley reviews Mark Fenster on conspiracies in fact and fiction and finds evidence against the assumption that only nonexistent conspiracies produce conspiracy theories.
