Installed as a double issue starting in the winter of 96/97, contributors sought to explore through literature a transition already evident in the culture at large, where technology had enabled narratives of all types to undergo transformation by the image.

A Remediation's Remediation?

Jan Baetens looks 'through' and 'at' Bolter and Gromala's Windows and Mirrors and finds a foggy vision.

Architecture as a Narrative Medium

Christine Bucher, reviewing Beatriz Columnina, considers the narrative and photographic dimensions of interiors designed by Adolf Loos and Le Corbusier.

Lexia to Perplexia:

hypertext? cybertext? hypermedia? webart? while new media critics debate the terms, Talan Memmott has produced the thing itself, a creative use of applied technology.

Great Excavations

Ted Pelton views Robert Creeley's image/text collaborations in Buffalo, NY.

Lessons in Latent History

Steffen Hantke presents an archeology of Don DeLillo's Underworld.

A Gathering of Threads

The culmination of ebr version 2.0 (an html- and java-based Web production), the spring 1999 "gathering of threads" introduced an important component into the journal design: the thREAD that actively conducts readers among affiliated essays.

Graphic or Verbal: A Dilemma

J. Hillis Miller looks at the "multimedia" Victorian novel, embodied in ink, paper, cardboard, and glue.

Image + Narrative

In collecting essays for ebrs 6 and 7, the editors sought work that would not only talk about image and narrative theory in the networked environment; we wanted essays with design elements in their very construction. The essays were presented in the context of Anne Burdick's first integral design for the journal itself, ebr version 2.0.

The Flights of A821: dearchiving the proceedings of a birdsong

Marta Werner uncages Emily Dickinson's fragments.

Reading Writing Space

Anne Burdick reads Jay David Bolter's Writing Space.