Thread: writing (post)feminism

Karim A. Remtulla asks to what degree postfeminism is identical with hactivism?

Julie Cupples reviews a retrospective collection of essays by Chandra Mohanty on the geopolitics of gender and race.

geniwate writes along with sexless software agents and dismantles the gender politics of the programming man and his machine.

Is there such a thing as womens' writng? Or, for that matter, womens' media? Elisabeth Joyce moves through the work of Annie Abrahams and writes against restrictive domestications of electronic media.

Elyce Helford frames Tank Girl as a portrait of the postfeminist woman: hyper-individualist and hyper-sexual - a woman who is quite comfortable in popular cinema but not so much so in reality.

Jess Loseby on "cyber-domestic" aesthetics.

Martha Henn reviews Technologies of the Gendered Body: Reading Cyborg Women by Anne Balsamo

Lidia Yukman describes the experience of teaching people of differing backgrounds.

Dodie Bellamy gets to the "dirty parts" of contemporary fiction.

Greg Dyer steals glances at women('s) writing on the World Wide Web.

The postfeminist issue of ebr was the first to use visual art as a means of navigation as well as illustration.

Cris Mazza sends in her introduction to the follow-up volume of Chick-Lit, No Victims.

Having women in power won't automatically make for caring, sensitive environmental policies as Stacy Alaimo implies in her review of Carolyn Merchant and Val Plumwood.